(6 May 1867 - 24 September 1940) was a Hungarian painter, a leading member of the Nagybenya artists' colony and founder of the Kecskemet artists' colony.
Born in Som, Ivenyi-Grenwald began his artistic studies under Bertalan Szekely and Keroly Lotz at the Academy of Fine Arts in Budapest (1882-86) and continued them at Munich in 1886-87 and at the Academie Julian in Paris from 1887 to 1890. From 1891 he again worked in Munich; in 1894 he travelled with Ferenc Eisenhut to Egypt, where he painted several oriental-themed works. Beginning in 1889 he had regular exhibitions at the Palace of Art in Budapest. Characteristic of his early pictures is A Hader kardja ("The Warrior's Sword", 1890), a proto-Symbolist treatment of rural genre showing the influence of Jules Bastien-Lepage. After his return to Munich, Ivenyi-Grenwald painted a large-scale genre painting entitled Nihilistek sorsot heznak ("Nihilists Drawing Lots", 1893), a work as notable for its dramatic use of chiaroscuro as for its deeply felt subject-matter. In response to a state commission for the 1896 Millennium Exhibition in Budapest he produced an enormous academic history painting. Related Paintings of Bela Ivanyi-Grunwald :. | Still-life | The Warlord's Sword | Drying Clothes | Woman by the Water | Moon Rise | Related Artists:
Birch, ThomasEnglish-born American Painter, 1779-1851
American painter of English birth. He was one of the most important American landscape and marine painters of the early 19th century. He moved to America in 1794 with his father William Birch (1755-1834), a painter and engraver from whom he received his artistic training. The family settled in Philadelphia, where William, armed with letters of introduction from Benjamin West to leading citizens of that city, became a drawing-master. Early in their American careers both Birches executed cityscapes, several of which were engraved. Thomas contributed a number of compositions to The City of Philadelphia in the State of Pennsylvania, North America, as it Appeared in the Year 1800 (1800), a series of views conceived by the elder Birch in obvious imitation of comparable British productions. An English sensibility is also apparent in the many paintings of country estates executed by father and son in the early 19th century These compositions, along with such portrayals of important public edifices in and near Philadelphia as Fairmount Waterworks
Salvatore Postiglionepainted Pier Damiano e la contessa Adelaide di Savoia in 1887
MOLENAER, Jan MienseDutch painter (b. ca. 1610, Haarlem, d. 1668, Haarlem).
Dutch painter and draughtsman. The surprisingly large oeuvre of this remarkably versatile genre painter displays an inventive symbolism, wit and humour, which identify him as the true forerunner of Jan Steen.
